@inproceedings{Farnand2009_0,
        Abstract = {A project, supported by the Andrew W. Mellon Foundation, is currently underway to evaluate current practices in fine art image reproduction, determine the image quality generally achievable, and establish a suggested framework for art image interchange. Toward this end, experimentation is being conducted in which a set of objective targets and pieces of artwork in various media are being imaged by participating museums. Print files and guide prints will be delivered to the Rochester Institute of Technology where prints will be made and used as stimuli in psychometric testing to generate scales of image quality. The experimental results will be among the inputs used to construct a conceptual framework of the various types of imaging taking place in cultural institutions at present. Based on this framework, an image processing tool that incorporates appearance models that are adequate for the various working environments in cultural heritage institutions will be developed.},
        Address = {Sydney, New South Wales, Australia},
        Author = {Susan P. Farnand and Franziska S. Frey and Evan Anderson},
        Booktitle = {, 11th Congress of the International Color Association (AIC)},
        Keywords = {color science; image quality; image reproduction; workflow},
        Month = {},
        Number = {},
        Organization = {International Colour Association},
        Pages = {},
        Title = {Benchmarking Art Image Interchange Cycles: Image Quality Experimentation},
        Url = {http://artimaging.rit.edu/wordpress/wp-content/uploads/2010/03/AIC_FarnandFreyFinal.pdf},
        Volume = {},
        Year = {2009}